Gossip doesn’t fall in line with the post-hardcore that catapulted the band into the scene, nor does it contain quite as many of Kellin Quinn’s famous high-pitched runs as fans might expect. The biggest surprise, however, is “War,” a gospel-tinged slow jam begging for iPhone flashlights to emerge from a sea of concertgoers, suggesting this is the type of album best heard live. Those with open ears (and minds) will be rewarded with everything from bluesy undertones (“Trouble”) to pop sensibilities (“Gossip”), while solidifying their rightful place in the rock world (“Empire To Ashes,” “Cheers”). ![]() Having inked a deal with Warner Bros., the band’s major-label debut unsurprisingly explores uncharted territory while remaining true to themselves. ![]() Be advised: This is not the Sleeping With Sirens fans have grown accustomed to over the years.
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